Tangled Talk

free-parking: The counting of dead soldiers outside my studio was long and surprisingly eerie; it was hard to forget that every brush stroke was a soldier who had died the previous year. A lot of people stopped to read the mural and were immediately impressed by the reality portrayed. Most of them seemed quite shocked and approached me to ask if what I was painting was real. I tried to explain that I simply wished to create a physical image that could capture people’s imagination, creating awareness of the current numbers in death, war and the infinite discrepancy between the resources and energies destined to fight and protect soldiers at war versus the energies invested in protecting their mental health and stability. -Sebastian Errazuriz View Larger

free-parking:

The counting of dead soldiers outside my studio was long and surprisingly eerie; it was hard to forget that every brush stroke was a soldier who had died the previous year. A lot of people stopped to read the mural and were immediately impressed by the reality portrayed. Most of them seemed quite shocked and approached me to ask if what I was painting was real. I tried to explain that I simply wished to create a physical image that could capture people’s imagination, creating awareness of the current numbers in death, war and the infinite discrepancy between the resources and energies destined to fight and protect soldiers at war versus the energies invested in protecting their mental health and stability.

-Sebastian Errazuriz

Reblogged 12 months ago from free-parking 327 notes
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    The counting of dead soldiers outside my studio was long and surprisingly eerie; it was hard to forget that every brush...
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